![]() Profiles to connect the strings to that mid-section at the same time minimizing ![]() Just take a piece of scribbling paper and draw all kinds of different Is leading in the design of the length and the profile of the middle part of The strings have to be connected to the bridge. As long as the saddle can be immovably fixed to the bridge, the choice is open and again mostly based on aesthetic arguments. Materials most in use are ivory, bone or ebony. ![]() For instance by choosing the same wood for the bridge as for the back, sides, head veneer, the finger board or the sound-hole rosette. The choice between these types of wood may be influenced by aesthetic arguments. A flexible piece of wood will absorb energy so we have to look for a light bridge, made of hard material. Above that, the reaction on the movement of the strings should be as fast as possible. Always take care that it will not be the source of any energy loss. If the bridge of a guitar is too heavy, too weak or not connected properly to the strings or top it will seriously hurt the acoustic characteristics. Guitars need a bridge to connect the strings with the soundboard.
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